Luigi: The Story Behind the Story by John H Richardson – Understanding a Criminal?
On the fifth of December 2024, a leading publication ran the front-page story “Insurance CEO Gunned Down In Manhattan”. The article went on to state that Brian Thompson was “shot in the back in Midtown Manhattan by a assailant who then walked coolly away”. The murder in broad daylight was truly chilling and disturbing. But numerous US citizens had a different response: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt like a release. Social media blew up. One comment stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company designed to increase earnings on your health.”
Less than a week after, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania graduate with a master’s in computer science, was arrested at a McDonald’s in Altoona, Pennsylvania. He faces court proceedings on criminal counts of murder, with prosecutors seeking the death penalty. So who is Mangione? And what drove the alleged crime? These are the questions John H Richardson attempts to answer in an investigation that explores broader themes, too.
The Making of a Subject
A writer for a major publication, Richardson spent years researching the groups that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an end-times scenario”. To reveal “the making” of his subject, Richardson first reviews Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on Goodreads”. Their content covered climate change to masculinity, along with a “emphasis on his own self-improvement, both body and mind”. Furthermore, Richardson sifts through his communications with influencers and authors as well as his many posts on digital networks. These original materials, intended to depict a picture of Mangione, instead present him as an unclear character. Richardson attempts to explain this by proposing that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Here, as elsewhere, Richardson attempts to cast his subject in symbolic roles.
Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson takes as his lead three words – “delay”, “deny” and “depose”, etched on the bullets left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to deny coverage. He looks at the indication Mangione had a chronic back condition, which might have provided motive for an attack, but finds no proof; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to eventually either dominate, or eliminate humanity, or both.
Missing Pieces
Notably missing from the book are interviews with the key individuals. Richardson made requests, but did not anticipate access to Mangione himself. And his relatives made it clear that they had chosen not to talk to the media in prior to the trial. Another glaring gap is any significant information about the victim, Thompson, though we learn that under his leadership, from 2021 to 2023, UHC profits rose significantly.
Ambiguous Findings
By book’s end, the audience has little insight of Mangione’s character or what could have driven his alleged crimes. More troubling, Richardson’s obvious sympathy for him creates the uncomfortable impression of having been privy to a veiled endorsement of an targeted killing. In the book’s closing remarks, Richardson delivers his mythical interpretation: “We’ve entered a era of stories, the mad king, the monster in the maze and the emperor without clothes.” In that tale “outlaw heroes come with a appealing vow … They arrive in periods of unrest, when the people are suffering and nothing makes sense anymore.”
One thing is clear: as Mangione’s defence team works to have charges that could lead to the death penalty thrown out, any mention of fables, folk heroes, heroes or monsters will not be allowed in court in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.